Choose a Shenzhen studio by the shot you need to make. A product demonstration, a home routine and a clean catalogue sequence place different demands on the background, working space and lighting. Start with the most important action, then select a main set and a supporting setup.
The current U-STUDIO gallery shows a future-tech set, a contemporary living room, a sunlit home interior and a white cyclorama. “Premium” describes a possible lighting and styling treatment within these spaces; confirm the actual set and dressing for your production before booking.
Technology sets: keep the product readable
The future-tech set provides illuminated lines and a defined sense of depth. It can support smart hardware, consumer electronics and a presenter interacting with a device. Plan a clear action such as starting the product, selecting a mode or reading a display, with a close view of the response.
Test the screen and status lights against the set lighting. Strong ambient colour can hide a dark product edge or change the appearance of packaging. Record a short lighting test with the real sample before committing to the atmosphere. Any interface or effect added later should remain consistent with what the product actually does.
Home sets: give the product a practical task
The contemporary living room helps place furniture, home electronics and everyday products in a recognisable room. The sunlit home interior also shows connected living, dining and kitchen areas. Use the gallery to assess the relationship between the product, furniture and camera position; photographs do not replace a setup check with the actual sample.
Build the scene around one action: taking the product out, installing it, using it or putting it away. Record a wide shot for spatial context, a medium shot for the person and a close shot for the operation. For a kitchen scene, confirm working utilities, food preparation, surfaces and cleanup arrangements with the studio before planning a powered or wet demonstration.
Premium styling: control reflections and visual clutter
A fragrance bottle, beauty device or design appliance may need a quieter treatment than the room first suggests. Reduce competing props, leave space around the product and choose a background that separates its outline. Test glass, polished metal and black surfaces from the final camera angle: a reflection that looks attractive from beside the camera can cover the label in the shot.
Agree on which furniture and props belong to the selected set and which require additional dressing. Keep proposed changes in the shooting plan, including time to reset the space. The set name alone does not define the finished look.
White cyclorama: plan consistent product coverage
The published studio dimensions for the white cyclorama are 8 × 8 × 4.5 metres, covering 64 m². It offers a neutral setting for product views, full-body actions and material intended for later compositing. Allow working distance for lights and camera movement as well as space for the subject.
Group products by size and surface finish. Transparent, reflective and pale objects need different lighting adjustments. If horizontal and vertical edits are required, check both compositions during the shoot rather than assuming one crop will preserve every hand movement and product detail.
What to send before selecting a set
Send product photographs and dimensions, the main use sequence, a reference film and the intended delivery list. Specify whether you need the space only or a production team, whether the sample requires power or water, and which dates you are considering. The team can then assess the set, equipment and preparation against the real task.
For a project that combines a room scene with clean product coverage, review ONCE product-video production alongside the studio photographs and floor plan. Equipment, props and availability should be confirmed for the agreed date.
Discuss your studio shoot with the product, intended placement, target market and required versions.
